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Nancito Petroglyphs
October 10, 2000 - Chiriqui, Panama
 
I was cruising the Pan-American Highway south of David, Panama and I noticed a small sign announcing a point of archaeological interest, the Nancito Petroglyphs. The sign was small and poorly placed, such that by the time I realized what it was I was already past the turnoff. I decided to turn around and check it out even though the sign gave me the impression it would be less than a major monument. My hunch was dead on.

Three kilometers into the hills I found the tiny town of Nancito. It took all of thirty seconds to tour the entire town twice. No petroglyphs. Upon inquiry I was directed to a local home. I was greeted by Abraham.


A larger than life, delightfully animated character with a magnificent mustache. The mustache was salt and pepper blonde and was just as dramatic as his personality. I was soon to find out all about his grandiose plans for his little town and the collection of boulders on its outskirts. He was the perfect pitchman for his pet petroglyph project.
There may be some significance the curious carvings, but as yet, it seems serious scientific study has not occurred. The pre-Columbian carvings have a Keith Haring kind of flare, simple yet lively. They are scattered about on some Volkswagen Beetle sized boulders, in a saddle between two hills.

The guides' presentation with his exuberant enthusiasm was an event in itself. His fanciful theories and explanations included people and religions from far and wide. Babylonians. Phoenicians. Hebrews. He called in connections to the bible, astronomy and ology! "After all" he exclaimed, "Panama is THE center of the World!" Come on, Abe, you're close to the equator, and a bridge between continents, but the center... Ok, who am I to judge? Aren't we all the center of our own universe?

He invited me back to his home to regale me with more of his theories and plans. A national park, a visitor's center and hotel. He wants to write a book to put Nancito on the map. He asked if I would take the pictures and be the co-author. I counseled him to perhaps start with a brochure and a better roadsign.


He brought out a reference book and compared the Sphinx to one of the Nancito carvings, assuring me that the same people were responsible for both. I like to think I have and open mind and an active imagination, but Abe, babe, it's a stretch at best.

Back there between some of the boulders, I spied something that fueled my own personal theory to explain the glyphs. A small toadstool growing out of a deteriorating cowpie!! My experiences in the Yucatan Peninsula years ago taught me that it was no ordinary mushroom. The carvings just may be the work of some pre-Columbian ancestor of Keith Haring munching magic mushrooms and getting crazy with a chisel.

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